Tommy Phelps

Tommy Phelps, a character from the Red Carpet Diaries series, is the director of Double Agent, the movie Your Character and Matt Rodriguez act in. He made his first appearance in Book 2, Chapter 2.

Appearance
Tommy has brown eyes, short, black hair and dark skin. He wears a dark yellow Aloha shirt that leaves his chest partly exposed, red-tinted sunglasses, and a dark gray cap.

Personality
Tommy generally exudes an attitude of assurance in his approach to filming; however, he cares little for storyline and character development and dismissively states that such scenes can be handle in post-production. Instead, he is more concerned with action sequences, and often exclaims "BOOM BOOM!" when discussing those scenes. His approach to his ideals of 'girl power' are often misogynistic, as he focuses more on the physical appeal of the actresses in his production rather than their acting quality.

Viktor Montmartre
Tommy works for Viktor and is considered by Leland St. James to be a puppet. This is proven true when he obeys Viktor's orders cut the film budget at the risk of the cast and crew's health and safety, and disregards future risks from the decision.

Your Character
Tommy initially had a general liking of your character due to your appeal rather than performance. For many scenes, he is hesitant, if not reluctant, to consider your character's suggestions toward a more empowering portrayal, though he expresses approval of scenes you master. However, his attitude towards you change after your working relationship with Viktor deteriorates, and he grows increasingly frustrated with your opinions.

Apricott Persimmon
Tommy is annoyed with Apricott's arrogant behavior and her dismissive attitude during filming. However, due to the fact that she is Viktor's niece, he is incapable of refuting her actions, regardless of what he thinks.

Trivia

 * He shares the same forename as Tommy Walsh, a character from the Veil of Secrets book.
 * He frequently uses explosions and CGI in his movies and puts much more focus on explosions, effects, and the attractiveness of the stars than on the script. It seems to be a nod to or parody of Michael Bay’s directing style. Criticisms by the series other directors (Thomas Hunt & Marcus) of his lack of ability to focus on compelling dialogue and art in his films also seems to parody real life criticisms of Bay’s work.
 * He previously directed Connect Four.
 * He uses finger guns often when speaking.
 * He will make a cameo appearance in the final chapter of The Heist: Monaco if you unlock Peter Graves's good ending.